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Wimbledon 2011: Venus Williams saunters to first-round victory

The Championships - Wimbledon 2011: Day One

Venus Williams hits a back-hand return winner during her first-round defeat of Akgul Amanmuradova at Wimbledon. Photograph: Julian Finney/Getty Images

Venus Williams made a late decision to play at Wimbledon after injury and arrived late on to court on Monday but made up for lost time as she began her bid to win the title for a sixth time with a straightforward 6-3, 6-1 victory over Akgul Amanmuradova of Uzbekistan.

The five-times champion, seeded No23 in only her second tournament back after more than four months out with hip and stomach problems, was too good for the world No97 Amanmuradova and will now play the 40-year-old Kimiko Date-Krumm of Japan.

Whether it was gamesmanship, trouble getting through the crowds or simple tardiness, Williams was 10 minutes late getting on to court, keeping Amanmuradova waiting in her chair, playing with her racket and generally getting cold.

When she did arrive Williams looked a little like she had come from a toga party and cut off her dress to make it more suitable for tennis. A “playsuit” is reportedly the best way to describe what she was wearing but she probably could have worn a trouser suit and still taken care of Amanmuradova, who had lost all three of her previous matches at Wimbledon.

The Uzbek was out for a month this season with a right elbow injury and she lacked the power to hurt Williams, who looked a little sharper than she had last week in Eastbourne, where she lost in the quarter-finals.

A poorly struck drop shot which bounced before the net handed Williams the early break in the fourth game and from then on, there was never any doubt about the outcome of the match.

As the set wore on, the Williams serve began to crank up to its normal level and she held the advantage to take it 6-3 before another break in the third game of the second put her in total command.

Two more breaks, in the fifth and seventh games, sealed victory and Williams will now play the oldest player in the draw, Date-Krumm, who was the day’s first winner with a 6-0, 7-5 victory over Britain’s Katie O’Brien.

Last year’s Wimbledon runner-up Vera Zvonareva survived a first-round scare to defeat the promising young American Alison Riske 6-0, 3-6, 6-3.

The No2 seed is one of the players expected to mount a serious title challenge after her run to the final 12 months ago, where she lost to Serena Williams, but she will have to raise her game from this performance.

There looked little danger when Zvonareva, who also reached the final at the US Open in a stellar 2010, wrapped up the first set to love after only 25 minutes. The Russian’s placement and consistency were simply too much for Riske.

But the 20-year-old dug in to hold serve for the first time at the start of the second set, and from there the momentum of the match changed. Riske’s serve was proving a useful weapon but it was her willingness to move forward and attack the net that gave her the upper hand.

Suddenly it was Zvonareva who was making the mistakes off the ground and after breaking in the sixth game, Riske had little trouble polishing off the set.

The American was promptly broken at the start of the decider but she responded impressively to level at 2-2. Riske then had a chance for a second consecutive break but she could not take it, and that would prove to be her last opportunity.

Zvonareva piled on the pressure in the eighth game to gain the crucial break before confidently serving out the victory to set up a second-round meeting with a fellow Russian, Elena Vesnina.

Toast of the town

Posted: June 22Updated: Today at 1:43 AM
Kentucky distilleries expand amid bourbon boom

BRUCE SCHREINER Associated Press

LAWRENCEBURG, Ky. — At the new Wild Turkey bourbon distillery in central Kentucky, the grainy smell of fermenting corn wafts from giant tubs as workers add a touch of grain or tweak the temperature, just as they had for decades at the now-mothballed plant nearby.

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Photos: Rosario Dawson rules the Love Universe at Tao

Image

Erik Kabik/Retna/www.erikkabikphoto.com

Sebastian Copeland, Orlando Bloom and Rosario Dawson at the Vanity Fair party for the grand opening of Vdara Hotel & Spa at CityCenter on Dec. 1, 2009.

By Robin Leach (contact)

Saturday, June 4, 2011 | 4:30 p.m.

Check out VegasDeLuxe.com for more celebrity and arts and entertainment coverage.

Actress Rosario Dawson hosted an exclusive cocktail reception last night at Tao in the Venetian to launch Love Universe, a lifestyle jewelry collection, and model Linda Vojtova and jewelry designer Genevieve Jones were on hand to present their Love Universe-branded collections.

The evening also spotlighted Love Pledge, which encourages people to commit 1 percent of their annual earnings and 1 percent of their annual time to philanthropic causes and charitable organizations of their choice.

Rosario wore Love Universe bracelets in honor of her grandmother, who recently passed away. She shared how generous her grandmother was and that the actress was dedicating her Love Pledge to her grandmother.

After dining in Tao’s private dining room, Rosario, whose credits include Rent, Sin City, Seven Pounds and TV’s Gemini Division, and the Love Universe team took over the skyboxes in the nightclub, and later Rosario and her girlfriends headed down to dance on the catwalk to the sounds of DJ Reach, who gave her a shout-out.

Thanks to David Becker of WireImage for his photo gallery of Rosario and friends.

Next door at sister hotspot Lavo in the Palazzo, sassy comedienne Joan Rivers and her family feasted on lobster risotto, tuna tartare and truffle pizza. Joan is in town this weekend performing her standup at the Venetian.

Karina Smirnoff of Dancing With the Stars ordered sea bass, scallops and tuna tartare to enjoy in her suite while she rested in advance of her double-hosting duties today at Tao Beach and tonight at Tao.

Robin Leach has been a journalist for more than 50 years and has spent the past decade giving readers the inside scoop on Las Vegas, the world’s premier platinum playground.

Follow Robin Leach on Twitter at Twitter.com/Robin_Leach.

Follow Vegas DeLuxe on Twitter at Twitter.com/vegasdeluxe.

Follow VDLX Editor Don Chareunsy on Twitter at Twitter.com/VDLXEditorDon.

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‘ Marley & Me ‘ house is on the market

By SARAH E. MORANSpecial to the Local News

The house at 1175 Meetinghouse Road in Birmingham featured in the 2008 film “Marley & Me” is listed for sale at $1.25 million.

BIRMINGHAM — The “Marley & Me” house is for sale. And that’s exactly how it’s being marketed. A big sign on the northeast corner of Route 100 and Meetinghouse Road, where the stone house has stood for nearly 175 years, trumpets the fact that this is where much of the 2008 tearjerker film was filmed.

The house, with its surrounding 16 acres and four outbuildings, is on the market for $1.25 million. Owners John Ennis, an attorney, and Lisa Taylor Ennis, a fine-arts photographer, want to downsize now that their three children have flown the nest.

The house, at 1175 Meetinghouse Road, is well known to local film buffs and old house aficionados alike. The film was based on the wildly popular “Marley & Me” memoir by John Grogan, a former newspaper reporter whose tales of the mischievous yet lovable Marley, a yellow Labrador retriever, grabbed dog lovers’ hearts everywhere.

“People still come by to take pictures,” John Ennis said with a chuckle. “A whole load of kids and parents will jump out of the car and snap photos in front of Marley’s house. People are polite and discreet; they don’t want to meet us. They just want to see Marley’s house.”

Played by Owen Wilson and Jennifer Aniston, John and Jennifer Grogan and their brood moved to the region from Florida. They now live in Bucks County with Marley’s successor. No surprise that Woodson is another yellow Lab.

Scouts for the movie’s production company scoured Pennsylvania and Connecticut for a suitable house and countryside to match.

“They wanted a house that symbolized the Grogans’ rock-solid relationship,” John Ennis recalled.

And they found it in Chester County.

Many locals — including the Ennises, who moved out to a production company-provided condo in Avondale for two months during filming — avidly watched as the film was put together.

The only place off-limits was the studio, where Lisa Ennis has her studio and gallery. Other rooms in the house were crowded with film gear, production assistants and the like. Continued…

The five-bedroom, 3½-bath house, its two stone sections joined by a wooden addition in true farmhouse style, did not disappoint.

A particularly memorable scene shows the house during a winter’s night, glowing in the background, as John Grogan makes snow angels in the front yard with his children. Contented, and with his “pack,” Marley keeps them company.

And, when an aging Marley gets sick and can’t make the stairs anymore, John Grogan fashions a pallet for himself in front of the fireplace, where Marley has parked for the night.

Most of the Ennises’ Americana-inspired furniture, quilts, found objects and artwork — including Lisa’s photography — remained in the house during filming. (For visual continuity, set designers brought in a few pieces of furniture from the Florida set.)

The decision to market the house as the “Marley & Me” venue was a no-brainer, according to Richard Gross of Prudential, Fox & Roach who, with wife Holly, is representing the sellers.

“Selling a house is like selling a piece of artwork. If the art or the house has good provenance — based on who owns or owned it, or what happened there — you do your client a disservice if you don’t take advantage of that,” Dick Gross said.

A Hollywood production company recently contacted the Grosses, interested in doing a show about houses where movies were filmed.

The “Marley & Me” house has a new Waterbury-designed kitchen, a new 50-year cedar shake roof, some new Nordic hardwood floors and a redone master bath with Carrara marble, a claw-foot soaking tub and glass-enclosed shower.

All this is a far cry from when the family purchased the house in 1996. It was abandoned, the front door falling off its hinges, Lisa Ennis recalled. Floors were damaged and it had no kitchen to speak of. A shallow swimming pool with a fountain, near the Route 100 corner and well known to area children, had recently been filled in.

The Ennises camped out in the living room while they undertook extensive restoration and renovation, doing much of the work themselves. Continued…

By SARAH E. MORANSpecial to the Local News

The house at 1175 Meetinghouse Road in Birmingham featured in the 2008 film “Marley & Me” is listed for sale at $1.25 million.

BIRMINGHAM — The “Marley & Me” house is for sale. And that’s exactly how it’s being marketed. A big sign on the northeast corner of Route 100 and Meetinghouse Road, where the stone house has stood for nearly 175 years, trumpets the fact that this is where much of the 2008 tearjerker film was filmed.

The house, with its surrounding 16 acres and four outbuildings, is on the market for $1.25 million. Owners John Ennis, an attorney, and Lisa Taylor Ennis, a fine-arts photographer, want to downsize now that their three children have flown the nest.

The house, at 1175 Meetinghouse Road, is well known to local film buffs and old house aficionados alike. The film was based on the wildly popular “Marley & Me” memoir by John Grogan, a former newspaper reporter whose tales of the mischievous yet lovable Marley, a yellow Labrador retriever, grabbed dog lovers’ hearts everywhere.

“People still come by to take pictures,” John Ennis said with a chuckle. “A whole load of kids and parents will jump out of the car and snap photos in front of Marley’s house. People are polite and discreet; they don’t want to meet us. They just want to see Marley’s house.”

Played by Owen Wilson and Jennifer Aniston, John and Jennifer Grogan and their brood moved to the region from Florida. They now live in Bucks County with Marley’s successor. No surprise that Woodson is another yellow Lab.

Scouts for the movie’s production company scoured Pennsylvania and Connecticut for a suitable house and countryside to match.

“They wanted a house that symbolized the Grogans’ rock-solid relationship,” John Ennis recalled.

And they found it in Chester County.

Many locals — including the Ennises, who moved out to a production company-provided condo in Avondale for two months during filming — avidly watched as the film was put together.

The only place off-limits was the studio, where Lisa Ennis has her studio and gallery. Other rooms in the house were crowded with film gear, production assistants and the like.

The five-bedroom, 3½-bath house, its two stone sections joined by a wooden addition in true farmhouse style, did not disappoint.

A particularly memorable scene shows the house during a winter’s night, glowing in the background, as John Grogan makes snow angels in the front yard with his children. Contented, and with his “pack,” Marley keeps them company.

And, when an aging Marley gets sick and can’t make the stairs anymore, John Grogan fashions a pallet for himself in front of the fireplace, where Marley has parked for the night.

Most of the Ennises’ Americana-inspired furniture, quilts, found objects and artwork — including Lisa’s photography — remained in the house during filming. (For visual continuity, set designers brought in a few pieces of furniture from the Florida set.)

The decision to market the house as the “Marley & Me” venue was a no-brainer, according to Richard Gross of Prudential, Fox & Roach who, with wife Holly, is representing the sellers.

“Selling a house is like selling a piece of artwork. If the art or the house has good provenance — based on who owns or owned it, or what happened there — you do your client a disservice if you don’t take advantage of that,” Dick Gross said.

A Hollywood production company recently contacted the Grosses, interested in doing a show about houses where movies were filmed.

The “Marley & Me” house has a new Waterbury-designed kitchen, a new 50-year cedar shake roof, some new Nordic hardwood floors and a redone master bath with Carrara marble, a claw-foot soaking tub and glass-enclosed shower.

All this is a far cry from when the family purchased the house in 1996. It was abandoned, the front door falling off its hinges, Lisa Ennis recalled. Floors were damaged and it had no kitchen to speak of. A shallow swimming pool with a fountain, near the Route 100 corner and well known to area children, had recently been filled in.

The Ennises camped out in the living room while they undertook extensive restoration and renovation, doing much of the work themselves.

Among the four outbuildings is a barn with six stalls, though the Ennises have no horses of their own. Two dogs — Sheltie Frank and Foo, a pug — and several barn cats keep watch.

For more information, check out www.hollygross.com.

To contact correspondent Sarah E. Moran, send an e-mail to semoran219@msn.com.

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Southwest Airlines sale: More $40 flights ahead?

Southwest Airlines is letting travelers go from, say, Seattle to Boise or Albany to Baltimore for $40. Some experts say the move by Southwest Airlines could spark a fare war in the industry.

It’s only a three-day sale, but a move by Southwest Airlines to sell one-way flights for as little as $40 is sending a big message: A new round of fare wars may be on the way.

On Tuesday, Southwest Airlines announced bargain rates on tickets for hundreds of its US routes, with one-way prices of $40, $80, or $120 for flights taken between Aug. 23 and Nov. 16. The sale lasts through Thursday.

For $40, fliers can go one-way from Seattle to Boise, Albany to Baltimore, or Cleveland to Newark, among many other examples.

Industry analysts say it’s a sign that, even after taking steps to fly fewer routes and keep planes fuller, airlines still don’t have an easy time selling seats in the current soft economy. Many Americans want to travel, but their plans are price-sensitive.

Meanwhile, a jump in fuel prices over the past year has squeezed airlines, pushing their costs up and prompting them to raise fares, which in turn can crimp demand for tickets.

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Some analysts say that, after doing fairly well during the summer busy season, the rest of the year could be a struggle for the industry.

“We are worried about what happens after Labor Day,” Helane Becker, an analyst for Dahlman Rose & Co, told the Associated Press. “We’re going to see less demand and more discounting.”

In addition to Southwest’s move, JetBlue also announced sales on post-summer flights this week.

And the travel-search arm of Bing.com offers forecasts that even midsummer fares could fall in price.

Consider a round trip flight from Chicago to Los Angeles, from July 19 to July 26. The Bing Travel search finds prices of $306 round trip – and suggests that fliers wait to purchase the ticket, because it’s expected to fall by another $45.

If the Bing forecast proves accurate, that would make that July flight roughly identical with the prices Southwest is offering for later in the season ($240, or $120 each way).

Similarly, if you’re buying in late August, other airlines like Continental already beat Southwest’s price, offering the flight for $239 as of Tuesday afternoon, according to Bing Travel.

Airfares to Europe, while not cheap, have also come down.

“We are now seeing the biggest savings on fares to Europe for departure Aug. 14-28,” says Tom Parsons of BestFares, writing in a Dallas Morning News column. “From Dallas, many cities are averaging in the $800 to $950 range for round-trip flights, including those to Dublin, Rome, Amsterdam, Prague, and Barcelona.”

So, high fuel prices or not, airlines still need to fill seats – sometimes with fare wars. But they’ve also shown a willingness to cut money-losing routes. More of that could happen this fall as well.

Storms stop trains, leave thousands without power in Chicago area

SUN-TIMES MEDIA WIRE June 21, 2011 4:51PM

Updated: June 21, 2011 9:43PM

Trains have been stopped and thousands are without power after severe weather, which prompted tornado warnings, moved through the Chicago area Tuesday evening.

The National Weather Service issued the warning as a dangerous storm swept through several counties, including DeKalb, DuPage, Grundy, Kane, Kendall, Lake and Will.

By 9:30 p.m., it appeared the storms were moving away from Chicago to the northeast.

Metra reported a “variety of delays and stops,” mostly because of high winds. At 9:30 p.m., “more than 10 trains” were stopped on all Metra tracks, said Metra spokesman Michael Gillis, who described delays as “extensive.”

An inbound train from Elgin to Chicago was stopped because of a tree that fell onto the tracks, Gillis said.

All Union Pacific Northwest Line trains and Union Pacific West Line trains were stopped, while some Union Pacific North Line trains were also affected, a Metra service advisory said.

As of 8:30 p.m., about 10,000 Commonwealth Edison customers were without power. About 5,000 of those were in the southern suburbs, ComEd spokesman Bennie Currie said. In the west suburbs, 4,000 are in the dark, about 600 are without power in the northern suburbs and about 200 in the city.

Currie said that number is expected to rise as the storm continues to develop.

At Chicago’s airports, more than 300 flight have been canceled at O’Hare Airport, while all fights in and out are being delayed an hour more because of rain and thunderstorms both in the Chicago area and in other areas of the country, the city’s Department of Aviation said.

At Midway Airport, a number of flights were delayed up to two hours, while 30 have been canceled, the department said.

Apple releases overhauled Final Cut Pro X

Final Cut Pro X running on a MacBook Pro.

Final Cut Pro X running on a MacBook Pro.

(Credit: Apple)

Apple today released Final Cut Pro X, the latest version of video-editing software geared for professionals from a company increasingly focused on mainstream consumers.

Final Cut Pro X is a follow-up to Final Cut Pro 7, software Apple released in 2009 as part of Final Cut Studio. The new $299.99 version is a complete 64-bit rewrite of Final Cut, absorbing abilities from several of the software programs that are included in the Studio suite.

Like Apple’s upcoming release of Mac OS X Lion, Final Cut Pro X will only be available to customers through the Mac App Store, the digital storefront the company rolled out to Snow Leopard users back in January. That means any new updates get delivered through the Mac App Store app, and users can install a copy on any of their authorized computers.

Apple said the software “completely reinvents video editing with a Magnetic Timeline that lets you edit on a flexible, trackless canvas; Content Auto-Analysis that categorizes your content upon import by shot type, media and people; and background rendering that allows you to work without interruption.”

The application debuted in a demonstration at a Final Cut user group event alongside the National Association of Broadcasters show in Las Vegas in April, but Apple kept mum on further details. A report from Japanese Mac blog Macotakara last week correctly pegged the release of Final Cut Pro X as happening sometime this week.

Related links• Apple announces Final Cut Pro XThe skinny on Final Cut Pro X (FAQ)Intel’s Thunderbolt: What you need to know (FAQ)

Among its new features is a tool that detects when are people in shots, as well as what type of shots those are–close-up, medium, or wide-angle. Apple had added both those features to the most recent version of iMovie, and they’re not the only iMovie carry-over. Apple has also brought “skimming,” the feature that lets people preview the content of a clip just by moving their mouse across it.

The software uses a design that can take advantage of multicore processors and increasingly powerful graphics chips as well. The software requires a Mac with an Intel Core 2 Duo processor or better, at least 2GB of memory, and an OpenCL-compatible graphics system with at least 256MB of video memory, and Mac OS X 10.6.7.

Final Cut Pro X makes its debut on the Mac App Store, the only way people can buy the new video editing software.

Final Cut Pro X makes its debut on the Mac App Store, the only way people can buy the new video-editing software.

(Credit: screenshot by Stephen Shankland/CNET)

Final Cut, which helped unseat Avid Technology’s high-end editing system when mainstream technology grew powerful enough, is Apple’s top-of-the-line video-editing product. It’s joined on the consumer end by iMovie, the video-editing software that’s available both on Mac OS X as part of the iLife suite and on iOS as a standalone purchase for the latest generation iPhone, iPod Touch, and iPad.

Final Cut Pro also comes with two accessory programs, Motion 5 for professional motion graphics and Compressor 4 for media encoding. Each of those costs $49.99.

Apple has won over one prominent expert who, after an early look at Final Cut Pro X, had expressed worries about how bold a departure its new interface would be. Larry Jordan, a TV producer and digital video trainer, declared this spring that Final Cut Pro “will not be ready for professional use” upon its initial release. In a talk to the Los Angeles Final Cut Pro user group, he raised the prospect that it might merely be “iMovie on steroids.” Specifically, he said:

It is a complete and total rewrite from every single level of what Final Cut has been. There is not a single line of Final Cut that is existing in the old version to the new version. Whenever you’ve got something that’s that big a rewrite, stuff gets changed, stuff gets left out, stuff gets added later because they can’t get it all rewritten. I guarantee you that on day one when the dot-zero release ships, it will not be ready for professional release. Apple has a very poor track record of perfect dot-zero releases.

But after a follow-up meeting with Apple engineers, Jordan has reconsidered.

“While I can’t tell you what Apple told me until after the NDA [nondisclosure agreement] lifts with the release of the product, I can tell you that what I learned during those conversations has completely changed my opinion,” Jordan wrote on his blog last week. “I no longer feel, as I once thought, that this is a step backward. Based on what I learned during my conversations with Apple, I believe this release provides us with an opportunity for a large step forward.”

Final Cut Pro X has been a long time coming. There was fretting that the software suffered as Apple grew far beyond its creative professional niche with the mass-market success of the iPhone–particularly after a Final Cut Pro layoff early in 2010.

One indication of just how long in the tooth the earlier version had become: it was built using an older Mac programming foundation called Carbon. Apple announced in 2007 that Carbon programs were limited to 32-bit designs, which kept them to a maximum of 4GB of memory. For 64-bit support and its attendant memory benefits, programmers have to use an interface called Cocoa, and video editing is one of the clearest examples of software that benefits from gargantuan amounts of memory.

Adobe Systems switched debuted its first Cocoa-based Premiere Pro–the top rival to Final Cut Pro–with the CS5 version released in April 2010. Curiously, that fact apparently irked Apple Chief Executive Steve Jobs, who–in his “thoughts on Flash” letter that emerged just days later–called it out as evidence that Apple and Adobe had grown apart.

“Although Mac OS X has been shipping for almost 10 years now, Adobe just adopted it fully (Cocoa) two weeks ago when they shipped CS5. Adobe was the last major third-party developer to fully adopt Mac OS X,” Jobs said in that letter.

But now, when it comes to this programming foundation, Apple no longer trails Adobe.

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SWA’s expansion request OK’d

State regulators on Tuesday unanimously approved Florida Power & Light and Solid Waste Authority of Palm Beach County’s proposed 93-megawatt expansion of a waste-to-energy plant in West Palm Beach.

The groups proposed having SWA, a Palm Beach County government entity that collects and processes garbage, sell the bulk of the power from the expansion to FPL for 17 years and having FPL customers pay the $56 million cost of building the electrical part of the plant in increments over the life of the contract.

The commission addressed concerns raised about uncertainties in costs to customers by requiring the groups extend the agreement by 26 months and charge customers all in one year – moves that could save customers about $10 million. Spreading the costs out over 17 years would have allowed FPL to earn an additional profit of nearly $28 million, according to PSC employees.

FPL would buy 575,000 megawatt-hours of power, enough to power about 40,000 homes. That will increase the amount of renewable energy FPL produces and buys by about 38 percent, bumping up the portion of its power that comes from renewable energy to about 1.6 percent, according to the PSC.

Commissioner Eduardo Balbis, former assistant city administrator for the City of West Palm Beach, said he likes that the project is projected to create 400 new temporary jobs and 70 full-time jobs and eliminate the potential need more landfill space for SWA, which would have required higher garbage fees for many Palm Beach County residents.

Balbis also took the lead in backing some changes recommended by PSC employees. Commissioners Lisa Edgar and Julie Brown said they agreed with the changes to ensure savings to customers.

Loans for most of the proposed expansion, which will cost about $750 million, will be paid off through a fixed tax tacked on to each property, according to SWA, a Palm Beach County government entity that collects and processes garbage. The money FPL pays to buy power over the years will be used to offset the plant’s operating costs.

The plant still requires approval from the Florida Department of Environmental Protection and the Florida Cabinet.

 

Copyright 2011 Scripps Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

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