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Jackie Evancho – the next (little) big thing

As a rule, Americans like to do things bigger than us. But while their latest ‘big thing’ – Jackie Evancho – is heavy-duty talent, there is no doubt that she is very much a little girl. The 11 year-old left US audiences slack-jawed with her operatic voice on America’s Got Talent, so it was only a matter of time before Simon Cowell snapped her up – and now she’s over here to show our wannabes how it’s done…

In under a year Jackie has made it to genuine celebrity status in the States – hanging with President Obama at the national Christmas tree lighting ceremony; standing alongside Will Smith, Usher and Tom Cruise at Oprah’s star-studded final show. So it is really not surprising that her debut album features a duet with our very own national treasure – Subo.

None of this success is lost on the starlet, who has just arrived in London, accompanied by her mother. Still, it isn’t talk of celebrities and stardom that will break her out of jet lag. But talk about family, home and pets and you’ll be charmed into thinking it incomprehensible that the blonde youngster swinging her legs in a swivel chair could deliver a Pie Jesu that would hush a room… and a theatre… and a stadium…

Your musical style is described as Classical Crossover, what does that mean?

Jackie Evancho: It’s just a mix of classical and pop – and I think it sounds really good.

How did you learn to sing in this style?

Jackie Evancho: I never really learned, it just kind of came to me. I guess I’ve always had that voice, I’ve never really had a pop voice.

So there’s no chance of you moving into pop?

Jackie Evancho: I’d rather stay in this genre, pop just never really fits with my voice and I don’t think I could pull it off. But I listen to pop all the time – anything that’s on the radio!

It was Phantom of the Opera that got you interested in the music you perform, would like to be in a musical one day?

Jackie Evancho: I would love to be in a musical! I love roleplaying, my brother and I do that all thetime. It doesn’t matter if we’re witches or vampires – we always do it and it’s just so much fun.

A lot of the pieces you sing are in foreign languages, how does it feel to sing in a language that isn’t your own?

Jackie Evancho: It feels really special because I don’t think a lot of people can learn different languages. And It gives me an interest in those languages – I’ve just learned a song in French and now I want to learn French because it’s just so much fun to speak!

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Annie Le Murderer Sentenced to 44 years in Prison

Raymond Clark III was sentenced Friday to 44 years in prison for the September 2009 murder of 24-year-old Yale graduate student, Annie le.

AP

Raymond Clark III was sentenced Friday to 44 years in prison for the September 2009 murder of 24-year-old Yale graduate student, Annie le.

A Yale research technician was sentenced to 44 years in prison Friday for strangling graduate student Annie Le just days before her 2009 wedding.

Raymond Clark III, 26, who worked as an animal research assistant at the same lab where 24-year-old Le was studying treatments for chronic diseases, had pleaded guilty in March to strangling her after attempting to sexually assault her.

Le, a doctoral pharmacology student and native of Placerville, Calif., was reported missing five days before her wedding to Columbia University graduate student Jonathan Widawsky.

Her body was found stuffed inside a wall of the research lab on the day she would have been married.

Her family recounted the shock of planning a funeral instead of a wedding in an emotional pre-sentencing hearing that even brought Clark’s fiance to tears.

“She told me many times how happy she was to start her family,” said her mother, Vivian Van Le.

“I will never see her walking down the aisle. I will never hold my grandchildren. I will never see Annie’s dreams come true.”

“I only see my Annie in my dreams,” she said.

Le’s brother, Chris Le, testified that since his sister’s murder, he has struggled with depression.

“I was in school, now I’m not,” Le said. “I never had a DUI, now I do. I never found solace in experimenting with drugs, I did in my darkest moments. I never had to see a psychologist, but I do that now.”

Another relative, Ryan Nguyen, told how his younger brother Sean, who was supposed to be the ring bearer at Le’s wedding, played with a teddy bear Le had intended to give him on the flight out of New Haven days after her death.

Before handing down his sentence, Judge Roland Fasano told Clark that he’d destroyed the lives of two families and taken the life of a promising young woman.

Clark apologized for killing Le and stuffing her dead body in the wall of the research lab.

“Annie was and will always be a wonderful person, by far a better person that I will never be in my life,” Clark said.

“I’m sorry I lied. I’m sorry I ruined lives and I’m sorry for taking Annie Le’s life,” he said.

Authorities testified that Clark left a bloody crime scene and that he had scrubbed the lab’s floors and tried to hide a box of cleaning wipes in an attempt to clean up after himself.

Investigators also recovered Clark’s semen at the scene and his DNA on a pen found under Le’s body.

With News Wire Services

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Annie Le Murderer Sentenced to 44 years in Prison

Raymond Clark III was sentenced Friday to 44 years in prison for the September 2009 murder of 24-year-old Yale graduate student, Annie le.

AP

Raymond Clark III was sentenced Friday to 44 years in prison for the September 2009 murder of 24-year-old Yale graduate student, Annie le.

A Yale research technician was sentenced to 44 years in prison Friday for strangling graduate student Annie Le just days before her 2009 wedding.

Raymond Clark III, 26, who worked as an animal research assistant at the same lab where 24-year-old Le was studying treatments for chronic diseases, had pleaded guilty in March to strangling her after attempting to sexually assault her.

Le, a doctoral pharmacology student and native of Placerville, Calif., was reported missing five days before her wedding to Columbia University graduate student Jonathan Widawsky.

Her body was found stuffed inside a wall of the research lab on the day she would have been married.

Her family recounted the shock of planning a funeral instead of a wedding in an emotional pre-sentencing hearing that even brought Clark’s fiance to tears.

“She told me many times how happy she was to start her family,” said her mother, Vivian Van Le.

“I will never see her walking down the aisle. I will never hold my grandchildren. I will never see Annie’s dreams come true.”

“I only see my Annie in my dreams,” she said.

Le’s brother, Chris Le, testified that since his sister’s murder, he has struggled with depression.

“I was in school, now I’m not,” Le said. “I never had a DUI, now I do. I never found solace in experimenting with drugs, I did in my darkest moments. I never had to see a psychologist, but I do that now.”

Another relative, Ryan Nguyen, told how his younger brother Sean, who was supposed to be the ring bearer at Le’s wedding, played with a teddy bear Le had intended to give him on the flight out of New Haven days after her death.

Before handing down his sentence, Judge Roland Fasano told Clark that he’d destroyed the lives of two families and taken the life of a promising young woman.

Clark apologized for killing Le and stuffing her dead body in the wall of the research lab.

“Annie was and will always be a wonderful person, by far a better person that I will never be in my life,” Clark said.

“I’m sorry I lied. I’m sorry I ruined lives and I’m sorry for taking Annie Le’s life,” he said.

Authorities testified that Clark left a bloody crime scene and that he had scrubbed the lab’s floors and tried to hide a box of cleaning wipes in an attempt to clean up after himself.

Investigators also recovered Clark’s semen at the scene and his DNA on a pen found under Le’s body.

With News Wire Services

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‘Elite Squad’ Director, ‘Gran Torino’ Writer Tackle South America’s ‘Tri-Border’ (Exclusive)

With his critically and commercially successful Elite Squad movies, Brazilian filmmaker Jose Padilha took on police corruption and crime in his native Rio de Janeiro while showing he can pull off multi-layered yet accessible political action-thrillers.

Now he’s setting his sights on the infamous lawless South American zone trisected by Brazil, Argentina and Paraguay, where competing crime organizations and law enforcement agencies fight for the upper hand.

Padilha has teamed up with Gran Torino scribe Nick Schenk for Tri-Border, a political action film that will be in English. Padilha is self-financing development. Tri-Border centers on a Boston-based DEA agent who is unwillingly sent to Paraguay for having busted the son of an US senator during a drug raid. The script will explore the ins-and-outs of the different crime organizations and law enforcement agencies in the tri-border zone, as the agent strives to understand how the place works in order to capture his ticket back home, a leading drug dealer.

“The idea is to have a political film hidden inside an action film, a film that can entertain and teach people about the tri-border and the international crime in general,” Padilha writes in an email to THR from the region, where he and Schenk are conducting research.

“How can you write about something like the tri-border area without ever seeing it first hand?” Schenk writes in between rides on boats, planes and helicopters. “I’ve learned that landlocked Paraguay has a Navy. I’ve also learned that the Brazilian Federal Police and the Paraguayan Navy commonly exchange gunfire on the river that separates the two countries.”

Padilha says he considers Elite Squad to be a more local story, while Tri-Border will be a tale of international consequence. “It’s a different reality, in a totally different environment: the frontier of three countries, in which one finds many different players operating, ranging from Italian, Chinese and Serbian mafias, to Bolivian, Colombian and Brazilian drug dealers, including Lebanese smugglers suspected of helping Hamas and Hezbollah, as well as corrupted police and politicians from Brazil, Paraguay and Argentina,” he writes.

The tri-border region is the subject of another high-profile film project, Triple Frontier, which is in development with Hurt Locker filmmakers Kathryn Bigelow and Mark Boal. But that project is now on hold as the duo concentrate on their film chronicling the hunt for Osama Bin Laden.   

The duo, both repped by CAA, plan to have a script finished by the end of August.

Dunkin Donuts vs. Krispy Kreme: It’s War on National Donut Day!

An assortment of doughnuts on display in a sho...

Image via Wikipedia

This post will make you hungry!  Both Dunkin’ Donuts and Krispy Kreme are trending this morning on Twitter and that’s not surprising.

The two national donut chains are offering free donuts in what is known as “National Donut Day,” which is also trending as a topic.

Donuts Dominating Twitter

Donuts Dominating Twitter

National Donut Day was first launched in 1938 by the Salvation Army in an effort to help the needy during the Great Depression, according to the San Francisco Chronicle.

Today, the donut makers are tapping into the power of social media to spread the word of this mouthwatering promotion.

Dunkin’ Donuts is utilitizing its Twitter and Facebook accounts.  Yesterday, via Twitter the chain tweeted to its 83,000-plus followers:

Tomorrow is National Donut Day & participating U.S. DD’s are offering a free donut w/ beverage purchase.

The tweet included a link to Dunkin’ Donut’s offical Facebook page (3.5 million-plus fans), which features the following message:

“What are you up to on Friday, June 3rd? RSVP and invite your frienDDs to one of the most delicious days of the year – National Donut Day!

Participating U.S. Dunkin’ Donuts restaurants are celebrating National Donut Day by offering you a FREE DONUT of your choice with any beverage purchase*. To locate a Dunkin’ Donuts restaurant near you: http://dun.kn/fV6KeC.

What donut are you planning to enjoy on National Donut Day? Leave a comment below!

*Offer valid all day on 6/3/11. Store hours may vary by location. While supplies last. Limited time offer. Price and participation may vary.”

In addition, Dunkin’ Donuts sent out a few reminder tweets this morning including this message:

“It’s time to make the donuts for National Donut Day!” with a link to a picture from its famous “Fred the Baker” advertising campaign.

Dunkin Donuts Classic Ad Campaign

Dunkin Donuts Classic Ad Campaign

A couple of hours ago, another reminder was distributed via Twitter:

HAPPY NATIONAL DONUT DAY! Stop into participating U.S. DD’s today for a free donut w/ beverage purchase.

Krispy Kreme is also building awareness through Twitter and Facebook.  Like Dunkin Donuts, Krispy Kreme sent out a reminder via Twitter yesterday to its 8,000-plus followers:

Friday 6/3 – KKD is offering 1 FREE Doughnut on National Doughnut Day. This offer is good at participating U.S. KKD retail shops.

The chain sent out a another tweet a few moments ago:

It’s #NationalDoughnutDay! Get your 1 #FREE Krispy Kreme Doughnut. This offer is good w/o purchase @ participating US/CAN KKD retail shops.

Finally, when you visit Krispy Kreme’s Facebook page (3.4 million fans), there is a similar message.

Good morning! It’s National Doughnut Day and time to claim your one FREE Krispy Kreme Doughnut. The offer is good for one doughnut of any variety per customer at participating U.S. and Canadian Krispy Kreme retail shops (no purchase necessary).

Who wins?

When it comes to this social media war, both organizations are winners.   Dunkin’ Donuts and Krispy Kreme are demonstrating the incredible power of Twitter and Facebook to build awareness for consumer campaigns.

Full Disclosure: As a teenager, I worked at my local Dunkin Donuts shop in Commack, New York!

Visit me at pasetsky.com or follow me @markpasetsky.

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James Arness , 88, iconic star of ‘ Gunsmoke ’ dies

BY FRAZIER MOORE Jun 4, 2011 02:06AM

Story Image

James Arness’ defiant but rueful delivery as Marshal Dillon is so understated, he makes Clint Eastwood seem like a loudmouth. | AP

It takes a special kind of lawman to carry on for 20 years in the Wild West of TV.

Matt Dillon, the mythical marshal of Dodge City, stood tall — all 6 feet, 6 inches of him — on “Gunsmoke” from 1955 to 1975. He outlasted dozens of other Western heroes while making history on TV’s longest-running dramatic series, a record that held until NBC’s “Law & Order” tied the CBS Western’s record in 2010.

Through all those gunslinging years, James Arness, who died Friday, kept Marshal Dillon righteous, peace-seeking and, most of all, believable.

Fickle viewers can kill a TV hero as surely as a bullet from an outlaw’s six-gun. But Mr. Arness knew how to maintain order not only in circa-1870s Dodge City, but also among the TV audience, whose itchy fingers on their channel changers he knew how to calm.

In an era when TV actors typically chewed the scenery, Mr. Arness had a credible, commanding presence by hardly uttering a word. A typical scene found a dozen cowboys riding up to the town jail intent on busting out a prisoner pal.

Dillon faces them all down.

“The first move anybody makes,” he says, with a slight shake of his head, “I cut you in two.”

Mr. Arness’ defiant but rueful delivery is so understated, he makes Clint Eastwood seem like a loudmouth.

No wonder “Gunsmoke” wore so well. And became the last word on a programming craze that some seasons found as many as 30 Westerns on the air. When “Gunsmoke” went off in 1975, it was the only Western left.

By the end of his career, Mr. Arness, who was 88 when he died at his home in the Brentwood section of Los Angeles, seemed almost indistinguishable from Matt Dillon in the audience’s mind.

Befitting Marshal Dillon’s dignity and composure, Mr. Arness wrote, and left behind, a simple, straight-from-the-heart farewell which, at his request, was posted posthumously Friday on his official website.

“I had a wonderful life and was blessed with . . . (so) many loving people and great friends,” he said, then went on to thank his multitude of fans.

Kept his life private

In life, Mr. Arness was a quiet, intensely private man who preferred the outdoor life to Hollywood’s party scene, rarely gave interviews, and refused to discuss his personal tragedies (his daughter and his former wife, Virginia, both died of drug overdoses).

“He’s big, impressive and virile,” co-star Amanda Blake (Miss Kitty) once said of Arness, adding, “I’ve worked with him for 16 years, but I don’t really know him.”

The actor was 32 when friend John Wayne declined the lead role in “Gunsmoke” and recommended Mr. Arness instead. Afraid of being typecast, Mr. Arness initially rejected it.

“Go ahead and take it, Jim,” Wayne urged him. “You’re too big for pictures. Guys like Gregory Peck and I don’t want a big lug like you towering over us. Make your mark in television.”

The camera loved him

Then Wayne filmed an introduction for the first episode of “Gunsmoke” to give the largely unknown Mr. Arness the proper send-off.

“I predict he’ll be a big star,” Wayne told viewers. “So you might as well get used to him, like you’ve had to get used to me.”

Mr. Arness’ 20-year, prime time run as the marshal was tied only in recent times, by Kelsey Grammer’s 20 years as Frasier Crane from 1984 to 2004 on “Cheers” and then on “Frasier.”

The years showed on the weathered-looking Mr. Arness, but he — and his TV character — wore them well.

“The camera really loved his face, and with good reason,” novelist Wallace Markfield wrote in a 1975 “Gunsmoke” appreciation in The New York Times. “It was a face that would age well and that, while aging, would carry intimations of waste, loss and futility.”

Born James Aurness in Minneapolis (he dropped the “u” for show business reasons), he and younger brother Peter enjoyed a “real Huckleberry Finn existence,” Mr. Arness once recalled.

Peter, who changed his last name to Graves, went on to star in the TV series “Mission Impossible.” (He died in 2010.)

A self-described drifter, Mr. Arness left home at age 18, hopping freight trains and Caribbean-bound freighters. He entered Beloit College in Wisconsin, but was drafted into the Army in his 1942-43 freshman year.

Wounded in the leg during the 1944 invasion at Anzio, Italy, Mr. Arness was hospitalized for a year and left with a slight limp. He returned to Minneapolis to work as a radio announcer and in small theater roles.

He moved to Hollywood in 1946 at a friend’s suggestion. After a slow start in which he took jobs as a carpenter and salesman, a role in MGM’s “Battleground” (1949) was a career-turning point. Parts in more than 20 films followed, including “The Thing,” “Hellgate” and “Hondo” with Wayne. Then came “Gunsmoke,” which proved a durable hit and a multimillion-dollar boon for Mr. Arness, who owned part of the series.

His longtime co-stars were Blake as saloon keeper Miss Kitty, Milburn Stone as Doc Adams, Dennis Weaver as the deputy, Chester Goode, and his replacement, Ken Curtis, as Deputy Festus Haggen.

The cancellation of “Gunsmoke” didn’t keep Mr. Arness away from TV for long: He returned a few months later, in January 1976, in the TV movie “The Macahans,” which led to the 1978-79 ABC series “How the West Was Won.”

Mr. Arness took on a contemporary role as a police officer in the series “McClain’s Law,” which aired on NBC from 1981-82.

Despite his desire for privacy, a rocky domestic life landed him in the news more than once.

Family problems

Arness met future wife Virginia Chapman while both were studying at Southern California’s Pasadena Playhouse. They wed in 1948 and had two children, Jenny and Rolf. Chapman’s son from her first marriage, Craig, was adopted by Mr. Arness.

The marriage foundered and in 1963 Mr. Arness sought a divorce and custody of the three children, which he was granted. He tried to guard them from the spotlight.

“The kids don’t really have any part of my television life,” he once remarked. “Fortunately, there aren’t many times when show business intrudes on our family existence.”

The emotionally troubled Virginia Arness attempted suicide twice, in 1959 and in 1960.

In 1975, Jenny Arness died of an apparently deliberate drug overdose. Two years later, an overdose that police deemed accidental killed her mother.

AP

Sea Shepherd Ships to Patrol Libyan War Zone for Poachers

Posted on: Sunday, 15 May 2011, 00:02 CDT

Effective next month, two Sea Shepherd Conservation Society ships will enter the waters off the coast of Libya, an area declared to be in a state of war as NATO-backed rebel forces struggle to topple the despotic dictator Muammar Gaddafi, with the goal of intercepting bluefin tuna poachers and freeing any illegally caught fish in attempt to save the species from nearing extinction.

Friday Harbor, WA (PRWEB) May 13, 2011

Effective next month, two Sea Shepherd Conservation Society ships will enter the waters off the coast of Libya, an area declared to be in a state of war as NATO-backed rebel forces struggle to topple the despotic dictator Muammar Gaddafi, with the goal of intercepting bluefin tuna poachers and freeing any illegally caught fish in attempt to save the species from nearing extinction.

The territorial waters off Libya are a declared a no-fly zone by NATO, which means there will be a distinct absence of poaching surveillance in the region. NATO is not interested in illegal fishing operations, and no European Union or International Commission for the Conservation of Atlantic Tunas (ICCAT) inspectors will be allowed into the Libyan zone.

The Greenpeace Foundation is not conducting a bluefin tuna campaign, meaning that the only protection for the highly endangered Bluefin tuna will be at the presence of two Sea Shepherd’s vessels: the flagship Steve Irwin and the soon to be renamed fast interceptor vessel. The only non-military aircraft in this zone will be Sea Shepherd’s helicopter the Nancy Burnet onboard the Steve Irwin.

This will be a dangerous campaign but the bluefin tuna are facing extinction within a few years unless they are effectively protected, and Sea Shepherd will not fail them. Last year, during the first Operation Blue Rage Campaign in 2010, Sea Shepherd crewmembers located and intervened against an illegal poaching operation freeing approximately 800 bluefins.

President of Sea Shepherd France, Lamya Essemlali, attended a meeting with the European Commission Directorate-General for Maritime Affairs and Fisheries on May 6, 2011. As a result, the commission will follow Sea Shepherd’s campaign activities in June; Sea Shepherd will also prepare a complete progress report for the commission at the end of their campaign. Prior to taking action to release any unlawful catches, Sea Shepherd will confer with the commission regarding the potential illegality of the intercepted vessels.

This year, the bluefin will have some respite because nearly half of the French Bluefin tuna fleet will remain in port due to the cancellation of all fishing permits in Libyan waters for all Libyan-owned, French-registered boats. Ten of the tuna ships operating in the Mediterranean port of Sete, some 185 km (115 miles) from the city of Toulouse, will be confined to port because they are owned by Libyan companies with links to Gaddafi.

The conflict led to a delay in Libya submitting its 2011 Atlantic Bluefin tuna fishing quota to the Madrid-based ICCAT, which determined quotas late last year and awarded permits in mid April; Libya’s quota was canceled. “Because of the war in Libya, around a hundred fishermen from Sete will not go out to sea this year,” said Raphael Scannapieco, owner of five tuna ships, three of which are registered in Libya.

The Libyan quota was to be set at 902 tons out of a total of 12,900 tons for all nations for the 2011 season starting on May 15. However, no fishing will be allowed at all in Libyan waters this year, making Sea Shepherd’s job of identifying and interfering with poachers much easier this year than last.

“The profits from the poaching of bluefin are enormous,” said Essemlali, President of Sea Shepherd France. “This kind of quick-profit enterprise does attract a criminal element and we must take every precaution to defend ourselves from the potential of violent attacks.” The Sea Shepherd deck crew and bridge officers have been outfitted with bulletproof vests for this campaign in the event that the poachers are armed and potentially violent.

Sea Shepherd will not be intervening against legal tuna fishing operations, although we consider any so-called legal quotas to be grossly irresponsible, considering the recent diminishment of bluefin tuna due to excessive overfishing and mortality caused by the BP Gulf of Mexico oil spill where the Atlantic Bluefin spawn.

France, Italy, and Spain catch most of the Atlantic Bluefin consumed in the world, and 80 percent of the haul is sold to Japan. Bluefin tuna can weigh up to 650 kg (1,433 lbs) and are found in the North Atlantic, the Gulf of Mexico, and the Mediterranean Sea, where big commercial fisheries often fatten captured fish in floating enclosures.

Port captain Philippe Friboullet in Sete, France said the authorities would be informed if any of the Libyan-owned boats left port without the required fishing permits. Poachers can be expected from Libya, Malta, Italy, Spain, Tunisia, and Turkey.

“We will be armed with the regulations and in touch with NATO and the European Union Commission if we encounter any suspicious activity,” said Sea Shepherd Founder and President, Captain Paul Watson. “Any bluefin tuna seiner or holding cage found in Libyan waters will be intercepted, the nets will be cut open, and the fish will be released. This year it is zero tolerance towards these illegal poaching operations and any fish in any net we encounter in Libyan waters will be freed and released.”

About Sea Shepherd Conservation SocietyEstablished in 1977, Sea Shepherd Conservation Society (SSCS) is an international non-profit conservation organization whose mission is to end the destruction of habitat and slaughter of wildlife in the world’s oceans in order to conserve and protect ecosystems and species. Sea Shepherd uses innovative direct-action tactics to investigate, document, and take action when necessary to expose and confront illegal activities on the high seas. By safeguarding the biodiversity of our delicately-balanced oceanic ecosystems, Sea Shepherd works to ensure their survival for future generations. Founder and President Captain Paul Watson, is a world renowned, respected leader in environmental issues. Visit http://www.seashepherd.org for more information.

To interview Captain Watson and for U.S. media requests: 1-360-370-5650, Media(at)seashepherd(dot)orgFrance: Lamya Essemlali, Lamya(at)seashepherd(dot)fr, +33 76 007 5454Europe (including Spanish-speaking requests): Brigitte Scheffer, +44 7969 29 7726Brigitte(at)seashepherd(dot)org

For the original version on PRWeb visit: http://www.prweb.com/releases/prweb2011/5/prweb8429974.htm

Source: prweb

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James Arness: Salute to TV hero

James Arness, a great Sequoia tree in the forest of TV Western heroes, has died; he was 88. Arness is immortal in TV history as Marshal Matt Dillon on Gunsmoke, the longest-running network drama in television history with the most episodes. (Gunsmoke‘s 635 episodes versus Law & Order’s 456; the two are tied with 20 seasons.) This feat would have been impossible without the presence of Arness, a 6-foot-7, quiet man who gave an air of serene authority to Matt Dillon.

Seen now on cable reruns, Gunsmoke looks like an old-fashioned Western, filled with shoot-outs (Marshal Dillon was reluctant to draw his gun, but when he did, the villains went down in the Dodge City dust), swinging-door saloons (Miss Kitty, played by Amanda Blake, ran the Long Branch Saloon and had a special, if discreet, relationship with Matt), and colorful supporting characters, most notably Dennis Weaver, as the limping, earnest Chester; Milburn Stone as the wise Doc Adams; Ken Curtis as the cornpone comic-relief Festus; and, in later seasons, Burt Reynolds as the town blacksmith, Quint Asper.

But in its time — 1955–75 — Gunsmoke was considered something new, a more serious, thoughtful, “adult” Western, as opposed to the kid-friendly, rootin’-tootin’ shoot-’em-ups of early TV such as The Roy Rogers Show and The Lone Ranger. Arness, who had little formal training as an actor, radiated a firm confidence. Originally a radio series, Gunsmoke was conceived in its transition to television as an ideal vehicle for someone such as John Wayne. Depending on which interview you read, Wayne either declined to star or wasn’t offered the role, but he did introduce the first episode, urging viewers to watch Arness, with whom Wayne had worked in movies such as Big Jim McLain and Hondo: “He’s a young fellow, and maybe new to some of you,” said Wayne. “But I’ve worked with him and I predict he’ll be a big star.”

Wayne’s thumbs-up helped Gunsmoke initially, but it took a few seasons for the show to become a huge success. The key to this was Arness’ portrayal of Matt Dillon as a ruminative man with a strong code of honor that gained him the love and loyalty of millions of viewers. Arness’ Dillon was a modern Western hero, unflinching when it came to meting out justice — murderers who didn’t surrender got shot by the Marshal, who tried to avoid violence but knew it was sometimes necessary.

Falling somewhere between the escapism of The Lone Ranger and the bloody realism of Sam Peckinpah’s revisionist films such as The Wild Bunch, Gunsmoke was a crucial link in the development of the Western. Gunsmoke owed something to features such as High Noon and the Westerns directed by John Ford and Howard Hawks, but Arness helped turn the show into something unique for the small screen. The series possessed an eclectic, elastic quality. One week, you could have a comic-relief episode with the Marshal joshing around with Chester and Festus; the next, the tone could turn grim, even doom-struck, the Western equivalent of a hard-boiled novel. This is one measure of both the show’s greatness, and Arness’ fully inhabited performance as Dillon.

Thanks to Arness and his fellow cast members, Gunsmoke might be considered one of the first workplace-family shows on TV. Matt, Kitty, Chester, and Doc would spend a lot of time just sitting around and talking — the dialogue was good enough to sustain the action. (Amanda Blake once said wryly, “This is the only show on TV where the characters sit in a barroom and say hello for half an hour.”)

But the plots often found Arness at the center of an injustice that needed to be set right. A progressive show, it featured plots that had Marshal Dillon protecting black and Indian characters from mob violence. Dillon stood up for indigent farmers and helpless women of ill repute.

The show took full advantage of Arness’ imposing demeanor. From the opening credits to many climactic showdowns, the camera framed Arness in the center, a big, silent man, awaiting either peace or violence, commanding attention amidst even the most boastful or colorful of bad guys.

Arness was a veteran of World War II, and a recipient of the Bronze Star and the Purple Heart. He acted in numerous films, including Them! Arness’ younger brother was the actor Peter Graves; it’s striking that these siblings starred in shows that helped define their genres, the Western, and in Graves’ case, the spy story (Mission: Impossible).

On his website, Arness wrote a letter to his fans “to post on our website in the event I was no longer here.” He expressed gratitude for his long career, love for his wife, Janet, and wrote to his fans in conclusion: “Thank you again for the many letters, cards, and emails we received from you over the years. You are and always have been appreciated. Sincerely, Jim Arness.”

Twitter: @kentucker

For more: James Arness dead

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